Selecciona una palabra y presiona la tecla d para obtener su definición.
 

1

Véase a este respecto: «The Violence of Rhetoric. Considerations on Representation and Gender», in The Violence of Representation. Literature and the History of Violence. London and New York: Routledge, 1989, pp. 239-158.

 

2

Traduzco libremente de la cita Joel Black. The Aesthetics of Murder. A Study in Romantic Literature and Contemporary Culture. Baltimore and London: The Johns Hopkins University Press, 1991, p. 34.

 

3

Citado por Joel Black. The Aesthetics of Murder. A Study in Romantic Literature and Contemporary Culture. Baltimore and London: The Johns Hopkins University Press, 1991, p. 35.

 

4

«To have an answer for ones right to be, not in relation to the abstraction of some anonimous law, some legal entity, but in fear for the other. My being-in-the-world or 'my place in the sun', my home -have they not being the usurpation of places belonging to others already oppressed by me or starved, expelled to a Third World: rejecting, escluding, exiling, despoiling, killing. "My place in the sun", said Pascal, "the begining and the archetype of the usurpation of the entire world. Fear for all that my existence -despite its intentional and concious innocence- can accomplish in the way of violence and murder (New York: Columbia University Press, 1999, p. 23).

 

5

Jacques Derrida. L'écriture et la différence. Paris: Editions du Seuil, 1967, p. 189.

 

6

Véase a este respecto: Experience and Judgment. Evanston: Norwestern University Press, 1973, p. 374 in passim.

 

7

Publicado originalmente en 1949 bajo el título Les structures élémentaires de la parenté, Lévi-Strauss presenta la hipótesis de que hay una relación entre las estructuras mentales de las personas y las estructuras del parentesco, del comportamiento social y de los objetos. Véase a este respecto el capítulo VII de dicho tratado.

 

8

Véase a este respeto sus Selected Writings V. On verse, Its Masters and Explorers. The Hague, Paris and New York: Mouton, 1981, pp. 3-121.

 

9

Véase Viktor Shklovsky, Theory of Prose. Elmwood Park: Dalkey Archive Press, 1990, pp. 147-170.

 

10

Para más información sobre este tema véase el libro de Nicasio Urbina, La estructura de la novela nicaragüense: análisis narratológico. Managua: Anamá, 1996.